Design by Potato

Walling

"One of the tricks she used to create this sort of natural woodland was to throw a bucket of spuds in the air. Everywhere a potato landed she'd plant a birch. Even if there were three together, she'd plant three birches in one hole."

I grew up in Melbourne's leafy outer-eastern suburbs in the shadow of the Dandenong Ranges (that area is now rampant brick-veneered suburbia) and my parents were inveterate gardeners. (My father still is). Every weekend would see mum and dad planting, pruning, trimming, fertilising and tending to our quite substantial suburban garden. We even had a larger than average block so more garden could be accommodated. Like many of the gardens planted at the time (the 60s) the plants were largely English, sometimes perhaps North American. Silver birches were a favourite at the time. Gums, wattles or banksias would sometimes be planted as a tacit acknowledgement of the original native surroundings.

Swept up in the rise of nationalism that accompanied Gough Whitlam's arrival as our (Labor) Prime Minister in the 1970s (amongst other things), Australian native plants began to populate our gardens – much moreso than before. Ellis Stones released his two seminal books on garden design that for many weekend gardeners revolutionised the Aussie garden. I clearly remember the weekends when my parents uprooted quite a few of the foreign plants in our garden and planted natives. Camellias, hydrangeas, rhododendrons and the like gave way to grevilleas, melaleucas, correas, hakeas and tufty grasses. Native plants, many of which were indigenous to our area, became the mainstay of our garden. These plants attracted honeyeaters, rosellas, spinebills, wattlebirds, lizards, orb-weaving spiders and possums aplenty. The garden became more than just a place for plants, it became a living, breathing entity, moreso than it's previous incarnation.

Continue reading "Design by Potato" »

Nature Found Them Guilty: 'Long Weekend'

Another in our remembrances of Australia's cinematic past. A forgotten gem of the Australian film industry of the 1970s is Colin Eggleston's 'Long Weekend' from 1978. A young couple go bush in an effort to rekindle the flames of their romance, but nature (even their pet Jack Russell) has other ideas – and goes on the attack. You may be familiar with a film by Alfred Hitchcock that explored a similar idea in far bleaker fashion, but 'Long Weekend' holds up quite well 30 years on.

The plot keywords at IMDB humorously capture the essence of the film too: "Female Nudity, Camping, Nature Run Amok, Nature Takes Revenge, Spear Gun". Highly recommended.

Also - 'Long Weekend' wasn't shot in Tasmania, yet there's a Tasmanian Devil that makes a guest appearance. (Well, they are pretty scary, even out of their home state), and note the electronic bird sound effects –€“ they're just like those in that other more prominent 'nature runs amok in Bodega Bay' film mentioned above.

Related (vaguely): artist Martin Hendriks removes the birds from 'The Birds'.

'The Man from Hong Kong': An Ozploitation Classic



It's always entertaining to see a film (trailer above) that features George Lazenby, Valiant Chargers, a hang-gliding kung-fu cop and Frank Thring! 1975's 'The Man From Hong Kong' is Australia's first kung-fu action movie, directed by Brian Trenchard-Smith. (Of whom, Quentin Tarantino is a fan).

More on this Ozploitation classic at Australian Screen, and more on Ozploitation at The Duece (aka The Grindhouse Database).

Aus-ugliness (Reprise)

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A recurring architectural theme that seems to get wheeled out here every few years or so:

According to Philip Drew: "We haven't engaged with this country and its limitations ... and we haven't engaged with it visually, in terms of creating an architecture which is sympathetic, which builds on the visual qualities of both the flora, the weather and the land itself."

From Glenn Murcutt: "We think we live in the best housing in the world because we own our own house. It's appalling housing, it's appalling spatially. It's not architecture, it's merchandise. If I took it in personally, I'd die.

"I showed some Danes what's going up out along the roads to Castle Hill, Windsor, and I've never seen anything so depressing as these bloated, overly sized, terrible houses, built on the tiniest blocks in the traditional subdivision patterns, which is just nonsense. It's a total waste of land, not to mention resources, and I think people can only be depressed in this environment. It's terrible stuff."

More at The Sydney Morning Herald. The original on Aus-ugly. Via Super Colossal.

The Girl, The Boy, The School and The Rock

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Here's the strangely long and rather awkward trailer to Peter Weir's 1975 film 'Picnic at Hanging Rock'. Weir's film is based upon Joan Lindsay's novel set in 1900 where a group of schoolgirls mysteriously disappear whilst visiting Victoria's Hanging Rock. This evocative and nicely enigmatic film is a bit like watching a live-action Streeton or Condor painting – with some quiet sexuality thrown in for good measure. The trailer's voice-over is by (recently retired 'shock-jock') John Laws and it (the trailer) features some rather oddball writing. 'Picnic' was shot at Hanging Rock and in South Australia.

Weir's previous film discussed on this blog here. More at Australian Screen too.

Remember: if it's warm, it's best to remove your gloves after you pass through Woodend.

Sharp's Regular Aus-Guitar

Martin_sharp_ozAnother Aus-map to add to this blog's growing collection of graphically re-used and reinterpreted maps of Australia. Good to see Tasmania put to good use too.

A dedicated gallery of the images listed here soon to appear on 1+1=3... stay tuned.

The image at left created by Martin Sharp and spied in last weekend's Fairfax 'Good Weekend'.

Wurundjeri Way: Where Eagles Stare

Bunjil_sm2

Another highlight (see previous post) of our Docklands precinct is Bruce Armstrong's wonderful (25 metre high) sculpture, Bunjil – also the highest sculpture in the Southern Hemisphere. Armstrong's sculpture has a truly captivating and awe-inspiring presence. It looms large on the city horizon and really is a very big and quite beautiful bird.

One per-cent of development costs in the Docklands’ precinct have been put towards towards urban art (the PDF there is worth downloading). Whilst the placement of much of the art in the area seems a little slap-dash and much of it is probably quite a mish-mash of disparate styles – when the art is as terrific as Bunjil, you can't help but be thankful that some interesting art has been given some air in public.

Anecdotally, many friends, acquaintances, colleagues and family members really seem to like Bunjil. Just about everyone is a fan – except perhaps those in the art 'industry'.

Continue reading "Wurundjeri Way: Where Eagles Stare" »

'Burst' & 'Orchestra': TV Ads of the Year (So Far)


The Sony Bravia 'bouncing balls' may have started a delicious trend. Above is the new TVC for Schweppes created by George Patterson Y&R and director Garth Davis. Shot at 10,000 frames per second and featuring the sublime music of The Cinematic Orchestra, this is simply stunning and quite deserving of the praise being heaped upon it about the place.

Read more at indents.tv. If you like what you see, The large QuickTime file there is worth the download.

Related (created by the same agency and the product is a fizzy drink): the new Victoria Bitter Orchestra TVC. How to make a memorable ad for a well-known 'blokey' product that has a famous associated signature tune? Have some skilled musicians play the beer! See below:

Australia Overlayed on Europe

Aus_map_overlayed_2The image is of uncertain provenance (who ever created it used coloured pencils?) – but it certainly shows the scale of Terra Australis when overlayed upon Europe. See larger size here.

Note to visitors from overseas (I hear this quite a bit): "I'm keen to go to Uluru, Broome and the Gold Coast, maybe Tasmania"... that's a long, long way intrepid traveller.

Via Happy Antipodean.

Our Island Home: Grown, Barbecued, Spilt, Rocked & Eaten

Aus_mapsI've always been intrigued by how the physical shape of the Australian continent is creatively and graphically repurposed. Whether it's cartoonists using the map of Australia as a head of the 'typical Aussie battler/everyman' (but what of Tasmania?) or used to symbolise Australian wine (an Aus-map shaped drop splatter or an Australia-shaped vine leaf), or even an Australia-shaped rock (the outback), the shape of our island home has an indelible graphic presence in our culture. I know other cultures do this a bit too, but we seem to do it quite alot (and I get a real kick out of it).

Sometimes these repurposed shapes, via a clever use of visual language, succinctly and memorably communicate a concept better than words ever would – at a glance too (see the examples at left).

Aah... the skill of a good communication designer. Read on to see the beginnings of a gallery of gleeful, visual language-based Aus-map bastardisations.

Continue reading "Our Island Home: Grown, Barbecued, Spilt, Rocked & Eaten" »

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